FIBER WEARABLES – Wrap Yourself in Contemporary Crafts of Custom Designs

(Above: from collection by Janice Kissinger)

Fiber wearables are highly popular at the Philadelphia Museum of Art Craft Show. So much so, there is an entire fashion show centered around this category. Beautiful, colorful, striking, and utilitarian, fiber wearables continue to impress Show attendees, as the artist/designers continue to innovate and create in fabric, textures, and shapes.

Janice Kissinger’s finely sculpted apparel is a prime example. Recipient of Ornament Magazine’s Art-to-Wear Fiber prize at the 2018 PMA Craft Show, Janice creates one of a kind pieces with (surprisingly) no sewing involved. “I seek to drape the body with the same beauty and grace of the traditional Indian saris I use in my work”, says Kissinger. “Creating couture results without sewing is an ongoing adventure.” Adding her own hand-dyed silks and loose wool fibers, Janice uses traditional wet felting methods to build the fabric and the finished garment simultaneously, with zero fabric waste.

(Above: Patrick Benesh-Liu, Associate Editor of Ornament Magazine presenting Award for Art-to-Wear to fiber artist Janice Kissinger)

Patrick Benesh-Liu, Associate Editor of Ornament Magazine says, “In today's world of fast fashion and online shopping, it’s a special treat to talk with the makers. It is an even greater one to try on a hand-felted and dyed jacket, right in their booth. The Philadelphia Museum of Art Craft Show is just the place for these human connections, and in its consistent pursuit of the highest levels of American craft, it has become an annual destination for us at Ornament Magazine. Last year we awarded the Ornament Prize for Art-to-Wear to fiber artist Janice Kissinger, who stood out because of her deft marriage of recycled saris with her hand-dyed felt. Beautiful and sensuous. Try one on; you won't regret it.”

(Above: from collection by Janice Kissinger)

Her fourth time exhibiting at the Philadelphia Museum of Art Craft Show, Janice appreciates the high quality of the work on display. “My creative energy is recharged spending time soaking up the gorgeous work, the supportive energy of the committee and the reaffirming personalities of the other artists.” Janice loves the transformation in someone’s face when they try on her pieces. “You can see the confidence, the power and sexiness or sophistication she sees in that mirror. That’s a big part of what keeps me making my work.”

NICOLE HADDAD

“I love making clothing that makes people excited to get dressed. My collections are born from my obsession with color and texture”, she says. “Every season I design prints based on texture and then I use color to bring out the best in the print. It makes me happy when other people resonate with my work and collect my pieces.”  

(Above: Lobo Mau collection by Nicole Haddad)

A Philadelphia local, this is the first time Nicole Haddad and her brand Lobo Mau will be exhibiting at the Craft Show. Designing clothing since she was three years old, Nicole comes from a long line of fashion designers in Philadelphia, learning very early from her grandmother. The daughter of Brazilian jazz musicians, Nicole brings her unique heritage to her clothing design. She completed her Master’s in Fashion Design from Drexel University and launched Lobo Mau in 2008. Winner of Drexel’s “40 Under 40” in 2017 and Best of Philly 2019 for Best Sustainable Brand, Nicole is inspired by designers that make sustainability a priority in their work. Her brother Jordan joined the company in 2016 and together they have extended Lobo Mau’s market to New York, Los Angeles, and London.

(Above: Lobo Mau collection by Nicole Haddad)

MARY JAEGER

Mary Jaeger’s background is both cosmopolitan and international. She designed professionally in the NYC garment center for over five years, which she considers her boot camp phase. From there, she was in Japan for eight years where she worked in the kimono industry in Kyoto and designed collections in Tokyo and Paris. Now Jaeger has an independent design studio in Brooklyn and earlier this year, she won the 2019 Honoring the Future Sustainability Award given by the Smithsonian Craft Show. 

Jaeger’s current collection focuses on the juxtaposition of hand-dyed, hand-made pleated garments in the UNFOLDING PROJECT: Accordions Silks with her diffusion printed WHISPERING TEXTILES collection of silk scarves, dresses and diaphanous dusters. The mystery elements are the Words of Hope in each piece, including love, compassion, peace, joy, and happiness. Jaeger says, “These words give deeper meaning to the hand-work, thought-process, care and time invested in the making of these individual items in our era of mass markets, frenetic consumption and dismissive waste.”

 

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