My ceramic work celebrates tradition while not being inhibited by its vast history. I strive to reveal the sensual nature of clay as reflected by the touch of my hand. Using similar tools and processes to that of a traditional potter, I look not towards the ideal symmetrical vessel but instead towards asymmetry. My work often acts as a metaphor for the physical body, and I consider function secondary to fluidity and gesture in the form. While the marks on the surface of the pots record the history of my hand in its creation, these same marks represent an individual’s experience. Like the rings seen in the cross-section of a tree, these marks provide a history of growth. In a similar manner I use the repetitive lines and patterns in my work to create a vocabulary able to describe gender, a specific situation, a human journey or simply one’s personality make-up. I hope to elevate the ceramic vessel from simply a utilitarian object by creating different scenarios in which to view it.